‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION
| dc.coverage | STUDIA UBB PHILOSOPHIA, LXII, No. 1, 2017 (p. 115 – 125) | en-US |
| dc.creator | CÂMPEAN, Alexandra Noemina | |
| dc.date | 2017-04-30 | |
| dc.date.accessioned | 2026-02-21T10:39:55Z | |
| dc.description | Ingmar Bergman’s The Rite (1969): the Actor-as-Actor between Anagnorisis and Fragility of Identification. The present paper analyses the strange identification experienced by the Bergmanian actor-as-actor, due to a perpetual memory of the body. We will examine the manner in which the actor who plays the role of the actor passes through a painful and disarticulated identification, originated in August Strindberg’s radiations of the ego (Ausstrahlungen des Ichs). Accordingly, the radiations are not only writings in the first person, but also egotistical discourse; binding the ego on the stage, the playwright’s world becomes not only a psychic experience, but also a diurnal dream lived with the eyes wide open (as in the plays The Road to Damascus and A Dream Play). Therefore, in the film The Rite (Riten, 1969, TV movie), the total and stylized actor enacts the virtue of the crime in order to re-cognize himself; in this context, the achievement of his persona confirms the thorough execution of a murder – that is to say that the actor’s visage foreshadows the melancholic soleil noir of the Universal tragedy. | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3314 | |
| dc.identifier | 10.24193/subbphil.2017.1.07 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/1137 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/3314/3200 | |
| dc.rights | Copyright (c) 2017 Studia Universitatis Babeș-Bolyai Philosophia | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babeș-Bolyai Philosophia; Volume 62, No. 1, April 2017; 115 – 125 | en-US |
| dc.source | 2065-9407 | |
| dc.source | 10.24193/subbphil.2017.1 | |
| dc.subject | repetition, ritual, anagnorisis, identity, sufferance | en-US |
| dc.title | ‟LE RITE” (1969) D’INGMAR BERGMAN: L’ACTEUR-COMME-ACTEUR ENTRE L’‟ANAGNORISIS” ET LA FRAGILITÉ DE L’IDENTIFICATION | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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