THE ARTIST AS CURATOR IN POST-INTERNET ART

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dc.coverageSTUDIA UBB PHILOSOPHIA, LXI, No. 3, 2016 (p. 157-165)en-US
dc.creatorMAVROPOL, Andra
dc.date2016-12-30
dc.date.accessioned2026-02-21T10:40:12Z
dc.descriptionThe Artist as Curator in Post-Internet Art. The aim of this essay is an examination of the idea of the artist as curator in the contemporary phenomenon called post-internet art. First of all I will focus on the conditions in which post-internet art reverses the concept of creativity with that of selection, as it also alters the role of the gallery, which becomes ‘a point of departure, not a destination’ (D. Quaranta). Secondly, I will turn to a conceptual analysis and a comparative analysis of the objects of post-internet art and Duchamp’s ready mades. The idea of the artist as curator is relevant in the context of contemporary art because it causes a chasm between the traditional approaches of the artist and of the objects that fall into the category of the term art.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/5307
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1199
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/5307/5013
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Philosophiaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babeș-Bolyai Philosophia; Volume 61, Special Issue, December 2016; 157-165en-US
dc.source2065-9407
dc.subjectartist, curator, post-internet, readymade, uncreativityen-US
dc.titleTHE ARTIST AS CURATOR IN POST-INTERNET ARTen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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