DÉBATS SUR LA « ROUMANITÉ » MUSICALE

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dc.coverageSTUDIA UBB MUSICA, Volume 59 (LIX), No. 1, June 2014, pp. 81-108en-US
dc.creatorSTAN, Luana
dc.date2014-06-30
dc.date.accessioned2026-02-21T20:18:27Z
dc.descriptionThe musical «romanity» is a very exciting semiologic case. Is it a reality or just an empty musical label? In this study, we present three historical and cultural stages which constitute the musical «romanity»: between the wars (WWI – WWII), during the communist period, and after the revolution of 1989. Firstly, in the 1920’s, an important musicological movement marked the appearance of the periodical Muzica of Bucharest; the two main personalities of the Romanian music, musicologist Constantin Brailoiu and composer Georges Enesco, wrote a lot of essays to defend this «romanity». Secondly, during the communist period (1944-1989), the emphasis on the «new folklore» was an official recommendation of the State to strengthen a «national specificity» of communist vision. Thirdly, after the collapse of the dictatorial regime, the «romanity» questions strongly reappeared, but, this time, they were accompanied by some negative nuances and identity frustration. To define a national «romanity» in the context of international opening (e.g. European Union) seems to be an anachronistic phenomenon, but it is finally the normal reaction of identity protection in front of the disappearance of specificities and the appearance of standardization.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8814
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2151
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8814/8536
dc.rightsCopyright (c) 2014 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 59, No. 1, June 2014; 81-108en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectIdentityen-US
dc.subjectnationalismen-US
dc.subjectromanityen-US
dc.subjectfolkloreen-US
dc.subjectcontemporary musicen-US
dc.subjectcommunismen-US
dc.subjectserialismen-US
dc.subjectRomaniaen-US
dc.subjectEuropeen-US
dc.subjectEnescoen-US
dc.subjectBrăiloiuen-US
dc.subjectStravinskyen-US
dc.subjectBartóken-US
dc.titleDÉBATS SUR LA « ROUMANITÉ » MUSICALEen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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