The Use of the Harmonium in Opera

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dc.coverageSTUDIA UBB MUSICA, Volume 69 (LXIX), No.1, June 2024, pp. 181-196en-US
dc.creatorFAZAKAS, Ádám Sándor
dc.date2024-06-10
dc.date.accessioned2026-02-21T20:17:42Z
dc.descriptionThe article explores the role of harmonium in opera during the transformative 19th and early 20th centuries, amidst significant reforms in orchestration. The author thoroughly explores how harmonium is used in opera, even providing a table of operas that feature this instrument. It delves into specific opera passages by composers representing diverse nationalities and spanning various epochs, covering the period from 1845 to 1936. Through examples from works such as Verdi’s “Giovanna d’Arco” and “Don Carlos,” Dvořák’s “Rusalka,” and Enescu’s “Œdipe,” the essay illustrates the diverse roles played by the harmonium in operas. The author highlights the historical and musical significance of the harmonium in opera, suggesting a reevaluation of its role in today’s performances.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/7268
dc.identifier10.24193/subbmusica.2024.1.13
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2072
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/7268/7047
dc.rightsCopyright (c) 2024 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 69, No. 1, June 2024; 181-196en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2024.1
dc.subjectharmoniumen-US
dc.subjectorchestraen-US
dc.subjectoperaen-US
dc.subjectromantic musicen-US
dc.subject20th century musicen-US
dc.titleThe Use of the Harmonium in Operaen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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