THE GRANULARITY PARADIGM IN THE ELECTROACOUSTIC MUSIC OF IANNIS XENAKIS

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dc.coverageSTUDIA UBB MUSICA, Volume 67 (LXVII), No. 2, December 2022, pp. 9-28, DOI: 10.24193/subbmusica.2022.2.01en-US
dc.creatorBORZA, Adrian
dc.date2022-12-20
dc.date.accessioned2026-02-21T20:15:54Z
dc.descriptionThe cultural legacy left to us by composer Iannis Xenakis (1922–2001) is impressive and undoubtedly had a massive impact on some generations of musicians. His artistic ideal stands as proof. Fueled by science and engineering, his inheritance has been eagerly discussed in numerous books, studies, and doctoral theses. Our study underlines the viability of I. Xenakis’s compositional model. Xenakis painstakingly circumscribes scientific theories and laws in his method of composition in the instrumental and electroacoustic genres. We will emphasize the hypothesis that the granularity paradigm traverses his musical works Concret PH, Analogique B, and GENDY3.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2842
dc.identifier10.24193/subbmusica.2022.2.01
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1867
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2842/2738
dc.rightsCopyright (c) 2022 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 67, No. 2, December 2022; 9-28en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2022.2
dc.subjectGranularity paradigm, stochastic synthesis, random walk, architecture, mathematics, musicen-US
dc.titleTHE GRANULARITY PARADIGM IN THE ELECTROACOUSTIC MUSIC OF IANNIS XENAKISen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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