STYLISTIC ASPECTS REFLECTED IN MODAL LITURGY BY DAN VOICULESCU

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dc.coverageSTUDIA UBB MUSICA, Volume 64 (LXIV), No. 1, June 2019, pp. 107-123, DOI: 10.24193/subbmusica.2019.1.08en-US
dc.creatorGREAVU, Elena-Laura
dc.creatorPEPELEA, Roxana
dc.date2019-06-20
dc.date.accessioned2026-02-21T20:14:48Z
dc.descriptionThe Liturgy represents for the Christian-Orthodox community the moment with the most significance in the church services. As a musical genre, it is approached by a number of Romanian composers, especially after 1989, the year of the establishment of democracy in Romania. Among the creators who approach this genre is Dan Voiculescu, who composed Modal Liturgy for equal voices in 1996 and was dedicated to Sigismund Toduţă. Our paper analyses this composition which is based on modal-diatonic writing, harmonic-polyphonic arrangements with a modal shade alternating with passages in unison, and in which melodic constructions depart from the model of Palestrina’s polyphonic writing.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2061
dc.identifier10.24193/subbmusica.2019.1.08
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1746
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2061/1989
dc.rightsCopyright (c) 2019 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 64, No. 1, June 2019; 107-123en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2019.1
dc.subjectComposer Dan Voiculescu, religious, modal liturgy, polyphony.en-US
dc.titleSTYLISTIC ASPECTS REFLECTED IN MODAL LITURGY BY DAN VOICULESCUen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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