GEORGES ENESCO’S MUSICAL INFLUENCE ON THE FOLLOWING GENERATIONS – REALITY OR IDENTITY JUSTIFICATION?

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 2, December 2012, pp. 79-83en-US
dc.creatorSTAN, Luana
dc.date2011-12-30
dc.date.accessioned2026-02-21T20:19:33Z
dc.descriptionGeorges Enesco, performer, conductor and composer, represents the indispensable reference for the Romanian composers. His propose of a specific musical school was a solution both for traditionalists and modernists; on the one hand, in the case of composers who over appreciated the native Romanian space, he was seen like a justification for their own folklore’s affiliation; on the other hand, those composers who depreciate the native space, could justify themselves as followers of Enesco’s modernism. But, in the two cases, Enesco represented the “right” solution.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8957
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2281
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8957/8682
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 2, December 2011; 79-83en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectEnescoen-US
dc.subjectRomanian musicen-US
dc.subjectcontemporary musicen-US
dc.subjectfolkloreen-US
dc.subjectBrăiloiuen-US
dc.subjectidentityen-US
dc.titleGEORGES ENESCO’S MUSICAL INFLUENCE ON THE FOLLOWING GENERATIONS – REALITY OR IDENTITY JUSTIFICATION?en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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