CHARLES MARIE WIDOR’S GOTHIQUE AND ROMANE SYMPHONIES – THE SPIRITUAL STATEMENTS OF A GRAND COMPOSER

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dc.coverageSTUDIA UBB MUSICA, Volume 54 (LIV), No. 1, June 2009, pp. 207-217en-US
dc.creatorBOGNÁR MIKLÓS, Noémi
dc.date2009-06-30
dc.date.accessioned2026-02-21T20:20:10Z
dc.descriptionIn the following work I tried to present the last two symphonies composed by one of the greatest representatives of the French symphonic style: Charles Marie Widor.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9041
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2349
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9041/8767
dc.rightsCopyright (c) 2009 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 54, No. 1, June 2009; 207-217en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectCharles Marie Widoren-US
dc.subjectSymphonie Gothiqueen-US
dc.subjectSymphonie Romaneen-US
dc.subjectanalysisen-US
dc.titleCHARLES MARIE WIDOR’S GOTHIQUE AND ROMANE SYMPHONIES – THE SPIRITUAL STATEMENTS OF A GRAND COMPOSERen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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