SELF-SIMILARITY IN PITCH ORGANIZATION

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 1, June 2011, pp. 99-108en-US
dc.creatorBORZA, Adrian
dc.date2011-06-30
dc.date.accessioned2026-02-21T20:19:14Z
dc.descriptionIn this study we intend to discuss the self-similarity concept, which can be thought of as an organizing principle of the pitch of the sound. We will put emphasis on the self-similarity aspect of pitch organization in different series created by Anton Webern, and in several modes conceived by Olivier Massiaen, and Wilhelm Georg Berger. Also, we will investigate the author’s self-similar, non-octave-based, and full-chromatic mode of twenty-three notes, which led to the author’s compositions, such as Chaconne for guitar solo (1999), Fractus III for percussion and computer (2001), and Point. Line. Spot for string orchestra (2003).en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8912
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2242
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8912/8634
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 1, June 2011; 99-108en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectself-similarityen-US
dc.subjecttone-rowen-US
dc.subjectseriesen-US
dc.subjectmoden-US
dc.titleSELF-SIMILARITY IN PITCH ORGANIZATIONen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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