LE PROLOGUE – CONFIGURATIONS STYLISTIQUES

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dc.coverageSTUDIA UBB MUSICA, Volume 55 (LV), No. 2, December 2010, pp. 109-122en-US
dc.creatorBIHARI, Adela-Françoise
dc.date2010-12-30
dc.date.accessioned2026-02-21T20:19:50Z
dc.descriptionPrologue - theatrical convention at the ancient Greeks was assumed since the beginning in the structure of baroque opera. Distinguished section, with a clear functionality - to present the resume of the piece with the major themes and to take the goodwill of the public, the Prologue had various stylistic configurations. The study presents the most important and significant titles of opera “with” prologue and dramaturgical metamorphosis of this concept.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9007
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2316
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9007/8735
dc.rightsCopyright (c) 2010 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 55, No. 2, December 2010; 109-122en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectprologueen-US
dc.subjectbaroque operaen-US
dc.subjectlyrical theatreen-US
dc.subjectdramaen-US
dc.subjectlibrettoen-US
dc.subjectpersonage/ characteren-US
dc.subjectperformanceen-US
dc.subjectspectatoren-US
dc.titleLE PROLOGUE – CONFIGURATIONS STYLISTIQUESen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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