“CHORD MATRICE” IN THE MUSICAL ART OF AUREL STROE

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 1, June 2011, pp. 235-238en-US
dc.creatorCOROIU (MĂNIUŢ), Petruţa-Maria
dc.date2011-06-30
dc.date.accessioned2026-02-21T20:19:24Z
dc.descriptionThe last three concerts composed by Aurel Stroe are a further proof of his compositional maturity. The third concert proposes the ideal model of the “chord-matrices”, a symbol that we have to reveal in the spiritual dimensions of Aurel Stroe’s music.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8938
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2262
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8938/8658
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 1, June 2011; 235-238en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectmodernityen-US
dc.subjectmusicen-US
dc.subjectsymbolen-US
dc.subjectcontemporaryen-US
dc.title“CHORD MATRICE” IN THE MUSICAL ART OF AUREL STROEen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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