Overture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projections

Simple item page
dc.coverageSTUDIA UBB MUSICA, 69 (LXIX), No. 2, December 2024, pp. 207-216en-US
dc.creatorZHARKOVA, Valeriya
dc.creatorZHARKOV, Oleksandr
dc.creatorRIZAIEVA, Ganna
dc.date2024-12-11
dc.date.accessioned2026-02-21T20:18:06Z
dc.descriptionThe article is devoted to the study of the genre specificity of M. Ravel's overture de féerie "Shéhérazade" (1898) and the identification of its important semantic aspects. The non-traditional genre definition of the composition as an overture de féerie reveals the composer's desire to actualize the theatrical context known to the listener (the féerie genre). The composer seems to extend the “exotic” semantic layer, given in the title by the name of the heroine of the Arabian tales “One Thousand and One Nights”, to the “stereophonic” space of the féerie, and the orchestra completely takes over all the functions of creating the physical and metaphysical dimensions of the féerie. The multidimensionality of the national theatrical genre of the féerie is “folded” in the "Shéhérazade" overture into an orchestral space that contains multilevel projections of the unfolding of extra-musical meanings. This is how the connections between the first orchestral composition and the compositions of the following years - “Waltz” (“choreographic poem”) and “Bolero” (“ballet for orchestra”) – are revealed. The unity of plastic and sound gestures, sensual and deeply hidden from thoughts fantasies will remain a distinctive characteristic of Maurice Ravel's thinking until his last compositions.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8590
dc.identifier10.24193/subbmusica.2024.2.14
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2117
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8590/8343
dc.rightsCopyright (c) 2024 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 69, No. 2, December 2024; 207-216en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2024.2
dc.subjectMaurice Ravelen-US
dc.subjectShéhérazadeen-US
dc.subjectoverture de féerieen-US
dc.subjectgenre innovationen-US
dc.subjectsemantic projectionen-US
dc.subjectOrientalismen-US
dc.titleOverture "Shéhérazade" by Maurice Ravel: Genre and Semantic Projectionsen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

Files

Original bundle

Now showing 1 - 1 of 1
Thumbnail Image
Name:
8343.pdf
Size:
302.75 KB
Format:
Adobe Portable Document Format
Description:
PDF imported from OJS (https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/download/8590/8343)
Download

Collections

Studia Universitatis Babeș-Bolyai Musica