MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S "HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS)"
| dc.coverage | STUDIA UBB MUSICA, Volume 66 (LXVI), No. 2, December 2021, pp. 361-383, DOI: 10.24193/subbmusica.2021.2.24 | en-US |
| dc.creator | COCA, Gabriela | |
| dc.date | 2021-12-30 | |
| dc.date.accessioned | 2026-02-21T20:14:23Z | |
| dc.description | Zoltán Gárdonyi (1906-1986) composed his work entitled Három Nagyheti Kép (Three Holy Week Events) in 1966. At that time, he was a professor at the Liszt Ferenc Academy of Music, in Budapest. He composed the work for organ and a string ensemble (1st violin, 2nd violin, viola, cello, double bass). The work has three movements, as the title Három Nagyheti Kép (Three Holy Week Events) suggests.[1] This paper analyses the work in question in detail, from a harmonic and formal point of view. Rezumat. REPREZENTAREA MUZICALĂ A MESAJULUI RELIGIOS ÎN LUCRAREA LUI ZOLTÁN GÁRDONYI HÁROM NAGYHETI KÉP (TREI IMAGINI DIN SĂPTĂMÂNA MARE). Zoltán Gárdonyi (1906-1986) a compus lucrarea intitulată Három Nagyheti Kép (Trei imagini din Săptămâna Mare) în 1966. La acea vreme, era profesor la Academia de Muzică Liszt Ferenc din Budapesta. A compus lucrarea pentru orgă și ansamblu de coarde (vioara I, vioara a II-a, violă, violoncel, contrabas). Lucrarea are trei părți, după cum sugerează și titlul Három Nagyheti Kép (Trei imagini din Săptămâna Mare). Lucrarea de față analizează în detaliu această creație muzicală, din punct de vedere armonic și formal. Cuvinte cheie: Gárdonyi Zoltán, Három Nagyheti Kép, Trei imagini din Săptămâna Mare, orgă, coarde, armonie, forme, structură, mesaj religios [1] “Holy Week, in the Christian church, the week between Palm Sunday and Easter, observed with special solemnity as a time of devotion to the Passion of Jesus Christ.” Source: https://www.britannica.com/topic/Holy-Week, accessed in October 27, 2021. | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/383 | |
| dc.identifier | 10.24193/subbmusica.2021.2.24 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/1701 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/383/361 | |
| dc.rights | Copyright (c) 2021 Studia Universitatis Babeș-Bolyai Musica | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babes-Bolyai Musica; Volume 66, No. 2, December 2021; 361-383 | en-US |
| dc.source | 2065-9628 | |
| dc.source | 1844-4369 | |
| dc.source | 10.24193/subbmusica.2021.2 | |
| dc.subject | Gárdonyi Zoltán, Három Nagyheti Kép, Three Holy Week Events, organ, strings, harmony, forms, structure, religious message | en-US |
| dc.title | MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S "HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS)" | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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