LISZT – PROGRAMATIC IDEALS: „HARMONIES POÉTIQUES ET RÉLIGIEUSES”

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dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 1, June 2016, pp. 55-81en-US
dc.creatorBANCIU, Ecaterina
dc.date2016-06-30
dc.date.accessioned2026-02-21T20:16:32Z
dc.descriptionAfter long years of glorious journeys and disillusionment, the mature virtuoso, the “wandering son” finds his homeland and his identity and he retreats in order to create. He draws again on his old muse, the verses of Lamartine, and, in the middle of turmoil, he gives birth to a delightful pianistic page. The starting point was one of his youth pieces, in one part, (1833) bearing the same title that Liszt decides to give, twenty years later, to a cycle of ten pieces. He will create his own “reminiscence”, where parts evoking memories of people and events succeed among moments of prayer of a solitary soul, converting his existence into “a mute hymn for Divinity and hope” (Lamartine).en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5118
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1937
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5118/4833
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 1, June 2016; 55-81en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectLiszt, Lamartine, poetry, religion, piano, Chopin, Carolyne Wittgenstein.en-US
dc.titleLISZT – PROGRAMATIC IDEALS: „HARMONIES POÉTIQUES ET RÉLIGIEUSES”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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