THE BYZANTINE CHANT IN THE ROMANIAN PRINCIPALITIES DURING THE PHANARIOT PERIOD (1711 – 1821)

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dc.coverageSTUDIA UBB MUSICA, Volume 54 (LIV), No. 1, June 2009, pp. 39-82en-US
dc.creatorGHEORGHIŢĂ, Nicolae
dc.date2009-06-30
dc.date.accessioned2026-02-21T20:20:05Z
dc.description1. Following the attempt of the Moldavian Prince, Dimitrie Cantemir to get rid of the Turkish reign through the alliance with Peter the Great and his defeat in 1711, the Turks decided not to grant the reign of Moldavia and Wallachia to a Romanian Prince, but to a Greek one who came from Phanar – the famous neighbourhood in Constantinople – whom they would permanently be able to supervise. The chosen one was Nicholas Mavrocordato, son of the Great Dragoman of the Sublime Porte Alexander Mavrocordato, and together with his election, the Phanariot reigns began in two of the three Romanian provinces: Moldavia and Wallachia or Ouggro – Wallachia as they used to call it. The third, Transylvania, was part of the Austrian-Hungarian Empire until 1918. For more than a century, to be more precise, from 1711 in Moldavia and from 1714 in Wallachia until the year of the Balkan revolution, in 1821, the Princes of the two Romanian provinces were assigned directly by the Turks on Bosporus shores. Thus, during 1711 – 1821, thirty-one Phanariot Princes, part of eleven families, were to be on the two countries thrones on seventy-five occasions.  2. The present study aims at the analysis of the musical-ecclesiastical phenomenon in the two Romanian provinces, Wallachia and Moldavia, during 1711 – 1821, in order to emphasize the following elements: I. The Cult Languages in Wallachia and Moldavia II. The Byzantine Musical Education in the Romanian Principalities III. The Idea of Canonicity in the Romanian Music of Byzantine Tradition  en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9030
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2338
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9030/8756
dc.rightsCopyright (c) 2009 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 54, No. 1, June 2009; 39-82en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectByzantine musicen-US
dc.subjectPhanariot musicen-US
dc.subjectecclesiastical chanten-US
dc.subjectsecular musicen-US
dc.subjectMount Athosen-US
dc.subjectcult languages in Danubian Principalitiesen-US
dc.titleTHE BYZANTINE CHANT IN THE ROMANIAN PRINCIPALITIES DURING THE PHANARIOT PERIOD (1711 – 1821)en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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