A BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATA

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dc.coverageSTUDIA UBB MUSICA, Volume 65 (LXV), No. 1, June 2020, pp. 69-79, DOI: 10.24193/subbmusica.2020.1.05en-US
dc.creatorPRIP, Emanuela-Fabiola
dc.date2020-06-30
dc.date.accessioned2026-02-21T20:14:26Z
dc.descriptionIn this short study, we aim to define the typologies of the sonata form in the music of the Baroque period, alongside the perspective of some well-known authors (Charles Rosen, James Webster or William Newman) and to propose two analyses – the Sonata in G minor, K. 450 composed by D. Scarlatti and part I from the Sonata in A major, Wq. 55/4 by C. Ph. E. Bach. An interesting point of this study is the connection and the transition from the monothematic sonata form to the bithematic sonata form.en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/1992
dc.identifier10.24193/subbmusica.2020.1.05
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1707
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/1992/1919
dc.rightsCopyright (c) 2020 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 65, No. 1, June 2020; 69-79en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2020.1
dc.subjectBaroque, Sonata form, analyses, D. Scarlatti, C. Ph. E. Bach.en-US
dc.titleA BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATAen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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