THEODOR GRIGORIU’S ORATORIO “CANTI PER EUROPA”

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 2, December 2012, pp. 213-226en-US
dc.creatorGHIŞA, Lucian
dc.date2011-12-30
dc.date.accessioned2026-02-21T20:19:42Z
dc.descriptionTheodor Grigoriu’s oratorio Canti per Europa has four parts called frescos, it is based on a libretto containing verses of several poets from various times and spaces and it musically renders the antagonism from the creative and the destructive capacity of Europe. The creative impulse can be found in the image of a huge crater, where Dresden Opera House used to be before being destroyed by the bombings. The methods of analysis – historical, systematical etc. – had their main purpose the enhancing of the complex thorough musical writing.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8976
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2298
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8976/8698
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 2, December 2011; 213-226en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectVocal-symphonicen-US
dc.subjectoratorioen-US
dc.subjectfrescoen-US
dc.subjectantagonismen-US
dc.titleTHEODOR GRIGORIU’S ORATORIO “CANTI PER EUROPA”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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