« LE PAYSAGE SONORE » DE MURRAY R. SCHAFER

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dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 1, June 2012, pp. 209-226en-US
dc.creatorSTAN, Luana
dc.date2012-06-30
dc.date.accessioned2026-02-21T20:18:54Z
dc.descriptionWho has the right to make the most noise in the world? The            churches’ bells in the old times, the loudspeakers in Hitler’s era, planes taking off in the airports, police sirens, rock bands? In a world where background music (muzak) invades all public places, Canadian musicologist and composer Murray Schafer does an analysis of all types of sounds (natural, artificial, from the old days until today) in his book The Tuning of the World and advances a proposal to create sound museums. Wouldn’t it be extraordinary to be able to listen to the sounds surrounding St Sophia’s Church during Byzantine times or ... the forest noises from when dinosaurs roamed the Earth?en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8871
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2207
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8871/8593
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 1, June 2012; 209-226en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectMurray Schaferen-US
dc.subjectmuzaken-US
dc.subjectmusical schizophreniaen-US
dc.subjectmusical landscapeen-US
dc.subjectambient musicen-US
dc.subjectnoiseen-US
dc.subjectmusical museumen-US
dc.title« LE PAYSAGE SONORE » DE MURRAY R. SCHAFERen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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