ELEMENTS OF THE MUSICAL DISCOURSE IN “MARCH” FOR SOLO CLARINET BY MARŢIAN NEGREA

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 2, December 2012, pp. 143-151en-US
dc.creatorMARCU, Şerban
dc.date2011-12-30
dc.date.accessioned2026-02-21T20:19:37Z
dc.descriptionThis study analyzes a Romanian well-known work, entitled March, by the Romanian composer Martian Negrea, originally written for flute and reciter and then adapted for solo clarinet by the author, in collaboration with the Romanian clarinet player Aurelian Octav Popa. The piece is based on the homonymous poem of Lucian Blaga, from his debut volume Poems of Light. The study focuses on describing the structure of this piece, made up of three generating musical motives, which, through continuous variational transformations, give rise to other structural entities, themselves subject to further variations. This method of achieving musical discourse, of extreme economy of thematic material, produces, paradoxically, images of extraordinary musical spontaneity and naturalness, which leave, at first glance, the impression of a continuous improvisation. This musical image, explosive and spontaneous, is certainly in relation to the lyrics of Blaga, who suggests the rebirth of nature with the arrival of spring. The poem is heard as a spoken text in the flute version, but it's only a literary reference for the solo clarinet version.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8967
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2290
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8967/8690
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 2, December 2011; 143-151en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectNegreaen-US
dc.subjectMarchen-US
dc.subjectclarineten-US
dc.subjectsoloen-US
dc.subjectstructuralen-US
dc.subjectanalysisen-US
dc.titleELEMENTS OF THE MUSICAL DISCOURSE IN “MARCH” FOR SOLO CLARINET BY MARŢIAN NEGREAen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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