THE SEMANTICS OF FRANZ LISZT’S PIANO THRENODIES WITHIN THE CONCEPT OF PASSION

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dc.coverageSTUDIA UBB MUSICA, Volume 65 (LXV), No. 1, June 2020, pp. 169-182, DOI: 10.24193/subbmusica.2020.1.12en-US
dc.creatorBORSHULIAK, Alona
dc.date2020-06-30
dc.date.accessioned2026-02-21T20:14:29Z
dc.descriptionThe interpretation of a musical work in modern performance arises as an acute problem that causes discussion. Thanks to the theory of analysis, it is possible to obtain a variety of analytical interpretations of a musical text. Semantic analysis appears as one of the main and most promising methods of decoding the semantic structures of the works of later Franz Liszt’s period. The composer creates a new genre – a mournful piece or a threnody, through which he was able to express painful feelings about tragic events. Liszt most actively uses the symbols of passion in the late period of creative life. Passion is interpreted as a phenomenon that takes over the properties of the genre of passions and transforms them into the principle of thinking, reasoning and dramatic art. In piano threnodies, musical-rhetorical pieces of passion express something secret, sacred, and sometimes tragic, and the symbols of the passion nature of the threnodies reflect Liszt’s tragic outlook in his late years. Consequently, immersion in the semantic depth of the threnodies in the context of the concept of passion allows both instrumentalist performers and teachers to reveal the multidimensionality of the complex of eternal problems in a new way that contribute to the birth of a new meaning.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2004
dc.identifier10.24193/subbmusica.2020.1.12
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1714
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2004/1932
dc.rightsCopyright (c) 2020 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 65, No. 1, June 2020; 169-182en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2020.1
dc.subjectthrenody, phenomenon of passion, musical symbols, principle of thinking, semantic perspective.en-US
dc.titleTHE SEMANTICS OF FRANZ LISZT’S PIANO THRENODIES WITHIN THE CONCEPT OF PASSIONen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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