THE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE"

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dc.coverageSTUDIA UBB MUSICA, Volume 60 (LX), No. 2, December 2015, pp. 25-43en-US
dc.creatorŢUŢU, Ciprian
dc.date2015-12-30
dc.date.accessioned2026-02-21T20:16:19Z
dc.descriptionStarting from the opening (Kyrie) of Haydn’s last opus – Harmoniemesse, the present essay propositions a synthetic model of performance analysis. First enounced by Dinu Ciocan, the analytical model is set in distinct stages of investigation and development: the structuralist approach (principles which derive from the syntactics, semantics, and pragmatism in music) is followed by meanings from connected art fields (religion, philosophy, logics, semantics, visual arts, oratory). This modus operandi focuses at the same time on the non-verbal dimension as well as the heterogenous character of music as art, a step through which the poetics of the music is revealed – meaning the religious character, which is categorized in different stages. Continuing to discuss the theory in this analytical boundary, I will also present a possible application of this psycho-physiological archeology specific to music, which accents the syntactical as well as the semantic dimension of the musical language.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5093
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1918
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5093/4809
dc.rightsCopyright (c) 2015 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 60, No. 2, December 2015; 25-43en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectHarmoniemesse, Joseph Haydn, Musical Language, Semantics, Syntax, Vocabulary.en-US
dc.titleTHE SYNTACTIC AND SEMANTIC DIMENSIONS OF THE MUSICAL LANGUAGE IN "KYRIE" FROM JOSEPH HAYDN’S "HARMONIEMESSE"en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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