TIME IN MUSICAL ART: CATAPHATIC AND APOPHATIC ASPECTS

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dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 1, June 2016, pp. 83-88en-US
dc.creatorCOROIU, Petruţa-Maria
dc.date2016-06-30
dc.date.accessioned2026-02-21T20:16:32Z
dc.descriptionTime represents the fundamental dimension of human existence, implicitly of any human enterprise. Everything man does is articulated in time and depends on time, having a specifically temporal unfolding, with consequences on the flowing time axis. Defining temporality and its conditions for existence is very difficult, it is an undertaking thousands of years old, with many attempts that only partially covered the aspects it supposes. Time is one of the fundamental concepts of science and of Philosophy. The two fields can be assimilated to the analysis of two aspects: cataphatic (objective) and apophatic (subjective) – with important consequences in Bach’s Missa BWV 232.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5119
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1938
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5119/4834
dc.rightsCopyright (c) 2023 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 1, June 2016; 83-88en-US
dc.source2065-9628
dc.source1844-4369
dc.subjecttime, discourse, music, cataphatic, apophatic.en-US
dc.titleTIME IN MUSICAL ART: CATAPHATIC AND APOPHATIC ASPECTSen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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