GIUSEPPE VERDI IN VICTORIAN LONDON

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dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 2, December 2012, pp. 153-162en-US
dc.creatorZICARI, Massimo
dc.date2012-12-30
dc.date.accessioned2026-02-21T20:19:16Z
dc.descriptionDespite the vast research on Verdi’s compositional as well as dramatic achievements, little attention seems to have been paid to the early reception of his works in Victorian London. A review of such periodicals as The Times, The Musical Times, The Athenaeum has drawn attention to two particular aspects of relevance; Verdi’s first operas impinged upon the model represented by Rossini’s light-spirited melodiousness and provoked a sense of general bewilderment; even when opera-goers began to show clear signs of appreciation and to crowd the theatres where Verdi’s operas were performed, critics continued to object to their value and to ascribe their success to the singers’ new vocal and dramatic skills.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8916
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2245
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8916/8641
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 2, December 2012; 153-162en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectVerdien-US
dc.subjectOperaen-US
dc.subjectReceptionen-US
dc.subjectVictorian Londonen-US
dc.titleGIUSEPPE VERDI IN VICTORIAN LONDONen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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