MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW

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dc.coverageSTUDIA UBB MUSICA, Volume 62 (LXII), No. 1, June 2017, pp. 259-268, DOI: 10.24193/subbmusica.2017.1.18en-US
dc.creatorMIKLÓS, Noémi
dc.date2017-06-20
dc.date.accessioned2026-02-21T20:15:42Z
dc.descriptionThe following essay represents an analysis of the work Le Chemin de la Croix op. 29 by Marcel Dupré. In the beginning of the essay one can find information regarding Dupré’s organist and teaching career, his organ works and organ methods. The second section of the essay consists of a detailed analysis of the work mentioned in the title. The analysis offers a structural description of the fourteen movements, with emphasis on their musical content, and commenting on technical aspects and performance issues.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2429
dc.identifier10.24193/subbmusica.2017.1.18
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1844
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2429/2345
dc.rightsCopyright (c) 2017 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 62, No. 1, June 2017; 259-268en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2017.1
dc.subjectMarcel Dupré, organ, stations, movements, form, performance, technique.en-US
dc.titleMARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEWen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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