ICH-DISSOZIATION – APOKALYPSE – ÄSTHETIK DES HÄSSLICHEN. EINFLUSS DES DEUTSCHEN LITERARISCHEN EXPRESSIONISMUS’ AUF DIE FRÜHE LYRIK VON ROBERT REITER

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dc.coverageSTUDIA UBB PHILOLOGIA, Volume 66 (LXVI), No. 3, September 2021, pp.49-60 DOI: 10.24193/subbphilo.2021.3.03en-US
dc.creatorJAKABHÁZI, Réka
dc.date2021-09-20
dc.date.accessioned2026-02-21T08:38:32Z
dc.descriptionDissociation of the Self – Apocalypse – the Aesthetic of Ugliness. The Influence of German Literary Expressionism on the Early Lyrical Work of Robert Reiter. The present paper focuses on the influence of German literary Expressionism on the early lyrical work of Robert Reiter. In his early period, Robert Reiter took inspiration from the formal language of German Expressionism, as well as from the notion of subjective expression or the dissociation of the self associated with it. He used the apocalypse-motif and the ideal type known as the “New Man,” and practised an “aesthetics of the ugly”, which played a central role in Expressionist literature. To support this thesis, this article analyses the early work of the poet in light of contemporary avant-garde tendencies, with a focus on the poem Terhes hajnalban [In Pregnant Dawn]. REZUMAT. Disocierea eului – apocalipsa – estetica urâtului. Influența expresionismului literar german asupra poeziei timpurii a lui Robert Reiter. În studiul de față sunt analizate influențele expresionismului german asupra poeziei timpurii a lui Robert Reiter. Trăsături ale modernismului precum estetica urâtului, disocierea eului, motivul apocalipsei și a ideal-tipului “Om Nou” se regăsesc în poeziile lui Reiter din prima perioadă. Pentru a susține această teză, prezentul articol analizează poezia timpurie a poetului în lumina tendințelor contemporane de avangardă, cu accent pe poemul Terhes hajnalban [În zori însărcinate]. Cuvinte-cheie: expresionism, Robert Reiter, disocierea eului, apocalipsa, estetica urâtuluien-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbphilologia/article/view/971
dc.identifier10.24193/subbphilo.2021.3.03
dc.identifier.urihttps://hdl.handle.net/20.500.14637/301
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbphilologia/article/view/971/932
dc.rightsCopyright (c) 2021 Studia Universitatis Babeș-Bolyai Philologiaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babeș-Bolyai Philologia; Volume 66, No. 3, 2021; 49-60en-US
dc.source2065-9652
dc.source1220-0484
dc.source10.24193/10.24193/subbphilo.2021.3
dc.subjectExpressionism, Robert Reiter, dissociation of the self, apocalypse, aesthetic of uglinessen-US
dc.titleICH-DISSOZIATION – APOKALYPSE – ÄSTHETIK DES HÄSSLICHEN. EINFLUSS DES DEUTSCHEN LITERARISCHEN EXPRESSIONISMUS’ AUF DIE FRÜHE LYRIK VON ROBERT REITERen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typetexten-US

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