DIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“

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dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 1, June 2012, pp. 187-208en-US
dc.creatorFEKETE, Miklós
dc.date2012-06-30
dc.date.accessioned2026-02-21T20:18:54Z
dc.descriptionThe third part (Mephistopheles) of the Faust-Symphony by Liszt brings the transformation and the caricature of the first part (Faust), and hereby the undisguised musical portrayal of the ugliness and the maliciousness, as two of the fundamental ethic and aesthetic (negative) values of the Romanticism. The musical analysis intends to identify and exemplify the most important lisztian procedures, through which the thematic material presented in the musical discourse of the Faust part will be mocked and distorted by the Mephistophelian character.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2206
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8870/8591
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 1, June 2012; 187-208en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectFranz Liszten-US
dc.subjectFaust Symphony – third parten-US
dc.subjectanalysisen-US
dc.subjectthematic transformationen-US
dc.subjectaesthetic valuesen-US
dc.titleDIE LISZTSCHE IRONIE IN DER SCHILDERUNG DES „MEPHISTOPHELISCHEN“ IM DRITTEN TEIL DER „FAUST-SYMPHONIE“en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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