AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 1, June 2011, pp. 59-66en-US
dc.creatorGUŢANU, Luminiţa
dc.date2011-06-30
dc.date.accessioned2026-02-21T20:19:10Z
dc.descriptionThe opera in Bessarabia displays a wide range of concepts, styles and techniques. Thus, the composition spectrum in Bessarabia tackles various coordinates for the structuring of aesthetic concepts. The work of Bessarabian composers (the lyric genre) convincingly illustrates the interdependence between trends, which forms a heterogeneous aesthetic musical field. The composers’ interest constantly lies in musical sources of folk origin. The musical discourse comes into being under the influence of folk melodies, which imprints a variational character on the sound developments, facilitated by the episodic repetitions of the form of rondo (D. Gherschfeld, Zlata Tkach), as well as an improvisational character (Gh. Mustea).Folklore is the groundwork underlying the formation of the lyric genre in Bessarabia. The Bessarabian composers attempt to create musical value from the very substance of Romanian folklore. In addition to the „folkloric source“and/or the phonetic basis of folklore, these composers’ language also encompasses heterogeneous elements. Essentially, opera in Bessarabia presents the attributes of a heterogeneous, mixed language, integrating the traditional resources of Romanian folklore into the dynamic reality of European music aesthetics, but also retaining important influences from the Russian epic opera music (M. Mussorgsky, N. Rimsky-Korsakov) as well as from the former Soviet music (D. Shostakovich, S. Prokofiev).en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8900
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2234
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8900/8624
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 1, June 2011; 59-66en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectmusicen-US
dc.subjectoperaen-US
dc.subjectbessarabian composersen-US
dc.subjectopera music of 20th centuryen-US
dc.subjectaesthetic trendsen-US
dc.titleAESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURYen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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