CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS

dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 1, June 2011, pp. 85-97en-US
dc.creatorFAZAKAS, Aaron
dc.date2011-06-30
dc.date.accessioned2026-02-21T20:19:13Z
dc.descriptionConcert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view. Conceived to serve different aesthetic and dramatic principles and shaped according to other structural patterns, stylistic concepts etc., the analytic patterns successfully used to examine/study independent music can no longer be used for this “newborn” musical genre called the music of the sound film.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8908
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2239
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8908/8632
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 1, June 2011; 85-97en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectconcert musicen-US
dc.subjectfilm musicen-US
dc.subjectCoplanden-US
dc.subjectsynthetic artsen-US
dc.titleCONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMSen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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