A PHILOSOPHICAL-AESTHETIC PERSPECTIVE ON THE MUSIC ACT

dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 2, December 2016, pp. 137-154en-US
dc.creatorMIRONA BENCE-MUK, Mirona
dc.date2016-12-30
dc.date.accessioned2026-02-21T20:16:44Z
dc.descriptionThe article rivets our eyes on the conceptual instruments meant to set the status of the artistic creation in the context of the other cultural manifestations, evaluation and comprehension parameters, particularly the broad definition of the artistic phenomenon, namely the particular act of musical creation. Starting from Cassirer – who prefigures the aesthetic conception of the presentational symbol by defining it as a preceding stage which at the same time educates thought - we thus discover that the interaction between the receiving subject and the artistic act is possible through a special perceptional channel that Susanne K. Langer calls “presentational perception”. This channel can seize the form of the artistic act beyond the material and physical features of the “aesthetic object” itself (without neglecting all the other perceptible characteristics). The course of the aesthetician in the prefiguration of this main thesis is articulated as follows: in Feeling and Form, Susanne K. Langer develops a theory, already anticipated in the volume Philosophy in a new key, which states that apart from the language symbolism that is characterized by discursiveness, there is another type of symbol denominated as “presentational”, specific to the arts.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5185
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1962
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5185/4897
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 2, December 2016; 137-154en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectaesthetic object, feeling, form, presentational symbol, musical act creationen-US
dc.titleA PHILOSOPHICAL-AESTHETIC PERSPECTIVE ON THE MUSIC ACTen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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