Transcription, Paraphrase, Creed in Franz Liszt’s 'Variations on „Weinen, Klagen, Sorgen, Zagen”'

dc.coverageSTUDIA UBB MUSICA, Volume 68 (LXVIII), No. 2, December 2023, pp. 341-352en-US
dc.creatorOLÁH, Boglárka Eszter
dc.date2023-12-30
dc.date.accessioned2026-02-21T20:17:34Z
dc.descriptionFranz Liszt created a new tradition by playing transcriptions and paraphrasing the most well-known operas and works of his time on his fabulous concerts. This habit created new genres like Transcriptions (Reminiscences de Norma S. 394, Grandes études de Paganini S. 141) and Paraphrases (The Rigoletto Paraphrase S.434, The Ernani Paraphrase S. 432). The Variations on „Weinen Klagen Sorgen Zagen” fits into both categories: On the one hand Liszt paraphrases J.S.Bach’s Crucifixus and the 12th Cantata. On the other hand, he transcribes with a great craftsmanship his piano work for organ. The historical and private background of this work testifies to an extraordinary faith.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6887
dc.identifier10.24193/subbmusica.2023.2.25
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2055
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6887/6623
dc.rightsCopyright (c) 2023 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 68, No. 2, December 2023; 341-352en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2023.2
dc.subjectLiszt, Bach, Transcription, Paraphrase, Creed.en-US
dc.titleTranscription, Paraphrase, Creed in Franz Liszt’s 'Variations on „Weinen, Klagen, Sorgen, Zagen”'en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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