SCHÖNBERG AS A FILM MUSIC COMPOSER: MOSES UND ARON (1975) BY JEAN-MARIE STRAUB AND DANIÈLE HUILLET

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dc.coverageSTUDIA UBB MUSICA, Volume 70 (LXX), Special Issue 3, August 2025, pp. 117-129, DOI: 10.24193/subbmusica.2025.spiss3.10en-US
dc.creatorLISECKA, Malgorzata
dc.creatorBELDEAN, Laurențiu
dc.date2025-08-01
dc.date.accessioned2026-02-21T20:21:02Z
dc.descriptionThe article discusses the issue of using Arnold Schoenberg’s music as film music in the adaptation of his opera Moses und Aron by Jean-Marie Straub and Danièle Huillet. The article examines the film soundtrack, by using audiovisual analysis tools, trying to answer the question whether the attempt to adapt avant-garde music to the language of cinema was successful or not. In the further part of the article, the authors relate the results of this analysis to Schoenberg's musical philosophy and musical aesthetics.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9456
dc.identifier10.24193/subbmusica.2025.spiss3.10
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2445
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9456/9137
dc.rightsCopyright (c) 2025 Studia Universitatis Babes-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 70, Special Issue 3, August 2025; 117-129en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2025.spiss3
dc.subjectSchoenbergen-US
dc.subjectoperaen-US
dc.subjectMoses und Aronen-US
dc.subjectfilmen-US
dc.subjectfilm musicen-US
dc.titleSCHÖNBERG AS A FILM MUSIC COMPOSER: MOSES UND ARON (1975) BY JEAN-MARIE STRAUB AND DANIÈLE HUILLETen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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