Aesthetics and Philosophy of the Performance Interpretation of the Author's Concept of a Musical Work
| dc.coverage | STUDIA UBB MUSICA, 69 (LXIX), No. 2, December 2024, pp. 79-88 | en-US |
| dc.creator | ZAIETS, Vіtalіi | |
| dc.creator | ZAIETS, Oksana | |
| dc.date | 2024-12-11 | |
| dc.date.accessioned | 2026-02-21T20:18:01Z | |
| dc.description | The presented research is aimed at revealing the theoretical and philosophical methodological basis of the art of performance interpretation from the perspective of the procedural triad composer-performer-listener. In the process of interpretation, the performer acts as an active carrier of internal needs and motivations, which have a physiological, psychological, moral, and aesthetic as well as volitional nature. This division is quite conditional as these processes occur simultaneously and interact with each other. Each person is more or less inclined to a certain meaningful aspect, which forms an individual approach to the interpretation of the work. Thus, the needs of the performer (during the conscious search for the sound embodiment of the interpretation at the stage of practical implementation) resolve the most important issue: the ratio of the author's and performer's concepts. | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8577 | |
| dc.identifier | 10.24193/subbmusica.2024.2.06 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/2109 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8577/8325 | |
| dc.rights | Copyright (c) 2024 Studia Universitatis Babeș-Bolyai Musica | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babes-Bolyai Musica; Volume 69, No. 2, December 2024; 79-88 | en-US |
| dc.source | 2065-9628 | |
| dc.source | 1844-4369 | |
| dc.source | 10.24193/subbmusica.2024.2 | |
| dc.subject | performance interpretation | en-US |
| dc.subject | individuality | en-US |
| dc.subject | author's vision | en-US |
| dc.title | Aesthetics and Philosophy of the Performance Interpretation of the Author's Concept of a Musical Work | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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