THE MODERNITY OF AUREL STROE’S CONCERTANTE SPIRITUALITY

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dc.coverageSTUDIA UBB MUSICA, Volume 55 (LV), No. 2, December 2010, pp. 123-126en-US
dc.creatorMĂNIUŢ , Petruţa-Maria
dc.date2010-12-30
dc.date.accessioned2026-02-21T20:19:58Z
dc.descriptionThe last three concerts composed by Aurel Stroe are a further         proof of his compositional maturity. The fact that they belong to the last period of his life proves that the three concerts are a round up specific to the climax of a career, which leads to spiritual dimensions difficult to be assimilated.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9017
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2325
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9017/8744
dc.rightsCopyright (c) 2010 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 55, No. 2, December 2010; 123-126en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectmodernityen-US
dc.subjectmusicen-US
dc.subjectcontemporaryen-US
dc.titleTHE MODERNITY OF AUREL STROE’S CONCERTANTE SPIRITUALITYen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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