STRUCTURAL ELEMENTS IN HANS PETER TÜRK'S “SUITE FOR CLARINET SOLO"

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 2, December 2012, pp. 279-286en-US
dc.creatorMETEA, Răzvan
dc.date2011-12-30
dc.date.accessioned2026-02-21T20:19:46Z
dc.descriptionThe Suite for clarinet solo composed by Hans Peter Türk was written in 1972 and is made up of three parts: Prelude - which is based on a form of sonata (even sonatina, due to its reduced length); Melopoeia - is an Arioso with a three stanza form of the type A B Av in which the predominant interval, also gaining an essential role in structuring the musical discourse, is the major and minor third; and Ostinato – which I consider to be the most complex part from the point of view of composition techniques. It contains two successive musical “moments” in contrast with one another. The score has a rich palette of instrumental colours, unified by a melodious modal-chromatic writing.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8984
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2306
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8984/8707
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 2, December 2011; 279-286en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectformen-US
dc.subjectintervalen-US
dc.subjectrangeen-US
dc.titleSTRUCTURAL ELEMENTS IN HANS PETER TÜRK'S “SUITE FOR CLARINET SOLO"en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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