THE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENRE

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dc.coverageSTUDIA UBB MUSICA, Volume 63 (LXIII), No. 2, December 2018, pp. 103-114, DOI: 10.24193/subbmusica.2018.2.09en-US
dc.creatorJORDAN, Eva-Elena
dc.date2018-12-17
dc.date.accessioned2026-02-21T20:15:22Z
dc.descriptionThis hereby study has two main parts, uneven in length. In the first part we have attempted to classify the types of voices within the genre of operetta, while detailing their functional aspects, focusing on the analysis of the use of the soprano voice for the roles of prima donna and grande dame. In our second part, we have presented the main female roles of the 14 operettas that we will analyze within our doctoral research, classified from the standpoint of their authors. We have also added some interesting facts concerning the great Hungarian operetta composers, as well as mentioned famous performers who portrayed the main roles of these operettas during the time they were performed.en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2335
dc.identifier10.24193/subbmusica.2018.2.09
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1810
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2335/2257
dc.rightsCopyright (c) 2018 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 63, No. 2, December 2018; 103-114en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2018.2
dc.subjectprima donna, grande dame, lyrical soprano, spinto soprano.en-US
dc.titleTHE SOPRANO VOICE TYPE AND IT’S IMPORTANCE WITHIN THE OPERETTA GENREen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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