THE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFAN

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dc.coverageSTUDIA UBB MUSICA, Volume 62 (LXII), No. 1, June 2017, pp. 269-277, DOI: 10.24193/subbmusica.2017.1.19en-US
dc.creatorMURARU, Aurel
dc.date2017-06-20
dc.date.accessioned2026-02-21T20:15:43Z
dc.description“Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one cannot speak of a well-defined melody, but rather of a general dramaturgy making a subtle shift from diatonicism, through chromaticism, towards ultra-chromaticism. The continuous pendulation between polyphony and heterophony, as well as the permanent oscillation between “sprechgesang” and microtonality give birth to a musical work full of tension and drama.en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2430
dc.identifier10.24193/subbmusica.2017.1.19
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1845
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2430/2346
dc.rightsCopyright (c) 2017 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 62, No. 1, June 2017; 269-277en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2017.1
dc.subjectpolyphony, heterophony, sprechgesang, microtonality.en-US
dc.titleTHE SYMBIOSIS BETWEEN MICROTONALITY AND SPRECHGESANG IN PSALM 124 BY ION COŢOFANen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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