ASPECTS OF THE VOCAL-SYMPHONIC GENRE

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dc.coverageSTUDIA UBB MUSICA, Volume 56 (LVI), No. 1, June 2011, pp. 23-31en-US
dc.creatorGHIŞA, Lucian
dc.date2011-06-30
dc.date.accessioned2026-02-21T20:19:08Z
dc.descriptionThe vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. The borderline between oratorio and cantata is placed in embracing lyrical and epical aspects – in the case of the cantata – or dramatic – in the case of the oratorio. The oratorio is divided in two categories according to the text: the secular and religious oratorio. The religious oratorio has several subgenres given by the use of a pre-established text: Requiem, Mass, Passion, Te Deum, Stabat Mater, and others.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8894
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2228
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8894/8617
dc.rightsCopyright (c) 2011 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 56, No. 1, June 2011; 23-31en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectvocal-symphonicen-US
dc.subjectoratorioen-US
dc.subjectcantataen-US
dc.subjectsubgenreen-US
dc.titleASPECTS OF THE VOCAL-SYMPHONIC GENREen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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