Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi
| dc.coverage | STUDIA UBB MUSICA, Volume 68 (LXVIII), No. 2, December 2023, pp. 297-310 | en-US |
| dc.creator | FÁBIÁN, Apolka | |
| dc.date | 2023-12-30 | |
| dc.date.accessioned | 2026-02-21T20:17:33Z | |
| dc.description | This work focuses on the musical analysis of Monteverd’s composition styles in his sacred music. The motets, Confitebor tibi, Domine were printed in 1640 in collection of Selva morale e spiritual. Even in these rigidly bound works, Monteverdi gives full intensity to the meaning of every word of the text, trying to bring it to life in a vivid and convincing way. These three versions of Psalm 111 present different compositional techniques, through which Monteverdi wishes to emphasize the content of the text. | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6883 | |
| dc.identifier | 10.24193/subbmusica.2023.2.22 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/2052 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6883/6620 | |
| dc.rights | Copyright (c) 2023 Studia Universitatis Babeș-Bolyai Musica | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babes-Bolyai Musica; Volume 68, No. 2, December 2023; 297-310 | en-US |
| dc.source | 2065-9628 | |
| dc.source | 1844-4369 | |
| dc.source | 10.24193/subbmusica.2023.2 | |
| dc.subject | Renaissance music, Claudio Monteverdi, motet, sacred music. | en-US |
| dc.title | Analytical Aspects of the Three Versions of "Confitebor Tibi, Domine" by Claudio Monteverdi | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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