Notes on Le Grand Macabre and the Aesthetics of Camp

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dc.coverageSTUDIA UBB MUSICA, Volume 69 (LXIX), Special Issue 2, July 2024, pp. 25-35, DOI: 10.24193/subbmusica.2024.spiss2.03en-US
dc.creatorLISECKA, Małgorzata
dc.date2024-07-30
dc.date.accessioned2026-02-21T20:17:56Z
dc.descriptionThe article presents an analysis of the features of Ligeti’s opera Le Grand Macabre, indicating that it belongs to the camp aesthetics. The starting point for the analysis is the features of this aesthetic/sensitivity described by Susan Sonntag in her Notes on Camp. The opera’s libretto, its theatrical and musical layers, as well as Ligeti’s personal life experience as a composer – important for camp – are the subject of the analysis.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/7454
dc.identifier10.24193/subbmusica.2024.spiss2.03
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2098
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/7454/7229
dc.rightsCopyright (c) 2024 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 69, Special Issue 2, July 2024; 25-35en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2024.spiss2
dc.subjectCampen-US
dc.subjectoperaen-US
dc.subjectLigetien-US
dc.subjectSonntagen-US
dc.subjectpostmodernismen-US
dc.titleNotes on Le Grand Macabre and the Aesthetics of Campen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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