LE MODÈLE DU PAGE – PERSONNAGES ET CONTEXTES DANS LE THÉÂTRE LYRIQUE. LE CAS DE “CHERUBIN D’AMORE...

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dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 1, June 2016, pp. 89-105en-US
dc.creatorBÎRLOGEANU, Adela-Françoise
dc.date2016-06-30
dc.date.accessioned2026-02-21T20:16:33Z
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5120
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1939
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5120/4835
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 1, June 2016; 89-105en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectpage, character, opera, lyric theatre, knight, court of nobles, Cherubino, Mozart, Beaumarchais.en-US
dc.titleLE MODÈLE DU PAGE – PERSONNAGES ET CONTEXTES DANS LE THÉÂTRE LYRIQUE. LE CAS DE “CHERUBIN D’AMORE...en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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