THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN

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dc.coverageSTUDIA UBB MUSICA, Volume 64 (LXIV), No. 2, December 2019, pp. 189-200, DOI: 10.24193/subbmusica.2019.2.10en-US
dc.creatorKARÁCSONY, Noémi
dc.date2019-12-10
dc.date.accessioned2026-02-21T20:15:03Z
dc.descriptionThe present paper aims to reveal some of the features which characterize the Mélodies of the French composer Reynaldo Hahn. Although his work comprises several genres, instrumental and vocal alike, these refined and sensitive vocal miniatures are most often associated with Hahn’s name. Composer, conductor and music critic, himself a singer, the fascinating personality and intelligence of the composer is reflected in his works. His Mélodies mirror Hahn’s preoccupation regarding the relationship between poetry and music, between the spoken and the sung words. In the master’s opinion, music should emphasize the deep, hidden meanings beyond the words, thus in his vocal miniatures he strives for a truthful evocation of that which remains unspeakable.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2115
dc.identifier10.24193/subbmusica.2019.2.10
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1775
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2115/2052
dc.rightsCopyright (c) 2017 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 64, No. 2, December 2019; 189-200en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2019.2
dc.subjectReynaldo Hahn, French, poetry, Mélodie.en-US
dc.titleTHE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHNen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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