“WHEN I COMPOSE, I TRY TO FORGET ALL THEORIES...”. THOUGHTS ON PRESENTING ARNOLD SCHOENBERG᾿S TWELVE-TONE METHOD TO A WIDER AUDIENCE

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dc.coverageSTUDIA UBB MUSICA, Volume 70 (LXX), Special Issue 3, August 2025, pp. 71-82, DOI: 10.24193/subbmusica.2025.spiss3.06en-US
dc.creatorFEß, Eike
dc.date2025-08-01
dc.date.accessioned2026-02-21T20:21:00Z
dc.descriptionThis article describes the process of creating an exhibition and publication on Arnold Schönberg’s twelve-tone method and discusses the challenges of presenting Schönberg’s complex compositional techniques to a wide audience, balancing biographical information with musical analysis. The exhibition at the Arnold Schönberg Center featured a chronological narrative of the method’s development, showcasing manuscripts, tools like Schönberg’s twelve-tone discs, and multimedia content. The accompanying book aimed to be accessible to various readers, including a simplified introduction to the method, a historical overview, a glossary, Schönberg’s lecture on the method, and a catalogue of 50 related objects. The author reflects on the difficulties of explaining complex musical concepts to diverse audiences, acknowledging the ongoing challenge of accessible music education.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9452
dc.identifier10.24193/subbmusica.2025.spiss3.06
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2441
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/9452/9133
dc.rightsCopyright (c) 2025 Studia Universitatis Babes-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 70, Special Issue 3, August 2025; 71-82en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2025.spiss3
dc.subjectArnold Schönbergen-US
dc.subjectTwelve-tone methoden-US
dc.subjectExhibitionen-US
dc.subjectCompositionen-US
dc.subjectMusic historyen-US
dc.title“WHEN I COMPOSE, I TRY TO FORGET ALL THEORIES...”. THOUGHTS ON PRESENTING ARNOLD SCHOENBERG᾿S TWELVE-TONE METHOD TO A WIDER AUDIENCEen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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