MAURICE RAVEL: LE TOMBEAU DE COUPERIN – PART I. THE REMINISCENCE OF BAROQUE COMPOSITIONAL TECHNIQUES

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dc.coverageSTUDIA UBB MUSICA, Volume 65 (LXV), No. 1, June 2020, pp. 183-193, DOI: 10.24193/subbmusica.2020.1.13en-US
dc.creatorOLÁH, Boglárka Eszter
dc.date2020-06-30
dc.date.accessioned2026-02-21T20:14:30Z
dc.descriptionAccording to Alfred Cortot, the suite Le Tombeau de Couperin could be divided into two main units: the first part presented below represents the structural arch of the suite. Each analyzed part represents a specific compositional technique of the Baroque era. The fusion between the elements of the French baroque keyboard music and the characteristics of the modern piano music transforms this piece into a real and unique masterpiece. By analyzing the Prelude, the Fugue and the Toccata we have the opportunity to understand the vision about the French baroque music created by the artists of the 20th century.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2007
dc.identifier10.24193/subbmusica.2020.1.13
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1715
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2007/1933
dc.rightsCopyright (c) 2020 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 65, No. 1, June 2020; 183-193en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2020.1
dc.subjectRavel, Suite, Baroque, Compositional techniques, Piano, Prelude, Fugue, Toccata.en-US
dc.titleMAURICE RAVEL: LE TOMBEAU DE COUPERIN – PART I. THE REMINISCENCE OF BAROQUE COMPOSITIONAL TECHNIQUESen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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