THE QUESTION OF THE MUSICAL MESSAGE. THE SEMANTIC CAPACITY OF THE EXPRESSIVE STRUCTURE

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dc.coverageSTUDIA UBB MUSICA, Volume 68 (LXVIII), Special Issue 1, July 2023, pp. 69-84, DOI: 10.24193/subbmusica.2023.spiss1.05en-US
dc.creatorGARAZ, Oleg
dc.date2023-07-20
dc.date.accessioned2026-02-21T20:16:59Z
dc.descriptionIs it possible to communicate through music? Does music communicate something in particular? Is music like the message in a bottle – the meaning wrapped in the envelope of a form? Who would be the recipient of the musical message in this case – one, many, all of humanity, as in the IV parts of Beethoven’s Ninth Symphony? Or maybe just Captain Grant’s children? And how pertinent is the extrapolation of notional-discursive schema and logic to music as Mattheson did in Der Vollkommene Kapellmeister? Because this phrase – the message of music – immediately refers to both the suggestive neutrality of musical sounds and the emotional irrelevance of the relationships between them. Sounds are just sounds. Is a chord the analogy of the word, the melody the analogy of the phrase, and a whole articulation the substitute of a speech? Is music a language? Or, indeed, being both sonorous, but also processual and symbolic, just like spoken language, music does not connote in the same way. And if the language has prescribed references, then music does not. A chord, a melody, let alone a counterpoint, have no predetermined meaning, not even one resembling a notional one, even after the performance is over. Should the composer first be a very good connoisseur of human emotional behavior rather than a very good musician? Or, perhaps, a simple postman, as in the famous song of the Beatles?en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6190
dc.identifier10.24193/subbmusica.2023.spiss1.05
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1992
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6190/5878
dc.rightsCopyright (c) 2023 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 68, Special Issue 1, July 2023; 69-84en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2023.spiss1
dc.subjectmessage, communication, language, connotation, symbol, process, musicen-US
dc.titleTHE QUESTION OF THE MUSICAL MESSAGE. THE SEMANTIC CAPACITY OF THE EXPRESSIVE STRUCTUREen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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