Heterophony as a Way of Organizing of the Musical Syntax

dc.coverageSTUDIA UBB MUSICA, Volume 69 (LXIX), No.1, June 2024, pp. 111-122en-US
dc.creatorRUSU, Iulian
dc.date2024-06-10
dc.date.accessioned2026-02-21T20:17:40Z
dc.descriptionIn this article we intend to present some aspects related to the origin of the concept of heterophony and the theoretical concerns of some Romanian and foreign composers on this subject. As a practical application model, we present an analysis of a musical text based on the model proposed by Teodor Tutuianu in his book Eterofonii in partituri Bachiene, the book underlying the Spectromorphy course that the author, as a professor, held at the National University of Music in Bucharest.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/7263
dc.identifier10.24193/subbmusica.2024.1.08
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2067
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/7263/7042
dc.rightsCopyright (c) 2024 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 69, No. 1, June 2024; 111-122en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2024.1
dc.subjectHeterophonyen-US
dc.subjectmusical syntaxen-US
dc.subjectTeodor Tutuianuen-US
dc.subjectheterophonic waveen-US
dc.subjectcanonen-US
dc.subjectimitationen-US
dc.subjectsuperpositionen-US
dc.subjectsingularityen-US
dc.subjectpluralityen-US
dc.titleHeterophony as a Way of Organizing of the Musical Syntaxen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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