THE SOUND OF IMAGE MORPHOGENESIS
| dc.coverage | STUDIA UBB MUSICA, Volume 60 (LX), No. 1, June 2015, pp. 119-128 | en-US |
| dc.creator | BORZA, Adrian | |
| dc.date | 2015-06-30 | |
| dc.date.accessioned | 2026-02-21T20:16:12Z | |
| dc.description | The challenging side of the spectral synthesis is to integrate an advanced and versatile technology into music composition, which brings a twist in computer synthesis, that is, the sound of image morphogenesis. The genesis of the sound object resides in visual forms, by assigning sound qualities – pitch, duration, loudness and panning – to a point or line or surface and to their own brightness and color. As a result, the graphical image is transformed into sounds. In this respect, the author’s works Drones II (2012) and Increat (2003) – the latter inspired by a painting by the visual artist Claudiu Presecan, are examples of music composition positioned on the border of the audio-visual and technology domains. | en-US |
| dc.format | application/pdf | |
| dc.identifier | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5079 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.14637/1904 | |
| dc.language | eng | |
| dc.publisher | Babeș-Bolyai University / Cluj University Press | en-US |
| dc.relation | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5079/4795 | |
| dc.rights | Copyright (c) 2015 Studia Universitatis Babeș-Bolyai Musica | en-US |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | en-US |
| dc.source | Studia Universitatis Babes-Bolyai Musica; Volume 60, No. 1, June 2015; 119-128 | en-US |
| dc.source | 2065-9628 | |
| dc.source | 1844-4369 | |
| dc.subject | synesthesia, multisensory perception, sound of image, morphogenesis, spectral synthesis, gestural control | en-US |
| dc.title | THE SOUND OF IMAGE MORPHOGENESIS | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article | en-US |
| dc.type | text | en-US |
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