THE SOUND OF IMAGE MORPHOGENESIS

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dc.coverageSTUDIA UBB MUSICA, Volume 60 (LX), No. 1, June 2015, pp. 119-128en-US
dc.creatorBORZA, Adrian
dc.date2015-06-30
dc.date.accessioned2026-02-21T20:16:12Z
dc.descriptionThe challenging side of the spectral synthesis is to integrate an advanced and versatile technology into music composition, which brings a twist in computer synthesis, that is, the sound of image morphogenesis. The genesis of the sound object resides in visual forms, by assigning sound qualities – pitch, duration, loudness and panning – to a point or line or surface and to their own brightness and color. As a result, the graphical image is transformed into sounds. In this respect, the author’s works Drones II (2012) and Increat (2003) – the latter inspired by a painting by the visual artist Claudiu Presecan, are examples of music composition positioned on the border of the audio-visual and technology domains.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5079
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1904
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5079/4795
dc.rightsCopyright (c) 2015 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 60, No. 1, June 2015; 119-128en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectsynesthesia, multisensory perception, sound of image, morphogenesis, spectral synthesis, gestural controlen-US
dc.titleTHE SOUND OF IMAGE MORPHOGENESISen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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