CHRISTOPH WILLIBALD VON GLUCK AND THE DAWN OF THE REFORM OF OPERA

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dc.coverageSTUDIA UBB MUSICA, Volume 62 (LXII), No. 2, December 2017, pp. 61-72, DOI: 10.24193/subbmusica.2017.2.04en-US
dc.creatorKARÁCSONY, Noémi
dc.date2017-12-20
dc.date.accessioned2026-02-21T20:15:47Z
dc.descriptionThe aim of this paper is to present the historical, cultural, aesthetic and musical circumstances that led to the gradual unfolding of the reform process of the opera as an art form. The state in which music drama found itself at the beginning of the 18th century contributed to the formulation of essential principles that could guide the composition of a music drama, a work of art which had to transmit true feelings and emotions. The philosophical ideas expressed by the intellectuals of the Enlightenment are echoed in the musical works of Ch. W. von Gluck and mirrored in Orfeo ed Euridice, the unfolding of the reform of opera and the first of Gluck's works in which the composer strives to place the words before the music, relinquishing the old compositional methods.en-US
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dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2447
dc.identifier10.24193/subbmusica.2017.2.04
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1853
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/2447/2363
dc.rightsCopyright (c) 2017 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 62, No. 2, December 2017; 61-72en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2017.2
dc.subjectGluck, Orfeo ed Euridice, reform, principle, opera, declamation.en-US
dc.titleCHRISTOPH WILLIBALD VON GLUCK AND THE DAWN OF THE REFORM OF OPERAen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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