CREATING THE ROMANIAN NATIONAL MUSICAL STYLE – A PROBLEM OF MUSICAL OR NATIONAL IDENTITY?

Simple item page
dc.coverageSTUDIA UBB MUSICA, Volume 61 (LXI), No. 2, December 2016, pp. 59-70en-US
dc.creatorCONSTANTINIU, Otilia
dc.date2016-12-30
dc.date.accessioned2026-02-21T20:16:41Z
dc.descriptionMy communication analyses the relationship of interdependency between ideology and music in Romania. My intention is to discover this relationship in the discourses of the composers’ and music critics through what they understood by national style. We will see how this discourse has been influenced by the political context and modified in relationship with the shifts of the political regimes. Therefore, I will emphasize the discursive forms of the national specificity in music shaped by the apparently contradictory political ideologies. These range from the nationalist ideology that reached its peak in the interwar period to the communist ideology with its specific forms of nationalism. The temporal setting covers a period of almost one century which will allow us to observe the apparition, development and intersection of political ideologies, especially of the nationalism, and their reflection in understating the national style. The national specific discourse is, after all, one of identity perceived in relation to the otherness. The identity discourse fits into the process of the construction of the national identity, which assumes a definition and delimitation from the otherness. Therefore, we will have the national – universal dichotomy, based on the East-West or the Centrum-Periphery relation, and its metamorphoses. Thus, in the pre and the interwar period the emphasis is put on the ethnical element; in the communist period, with the first internationalist phase, the class solidarity replaced the ethnical one and, finally, in the nationalist phase the political strategies appealed to older sensibilities of the autochthonous collective imaginary.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5158
dc.identifier.urihttps://hdl.handle.net/20.500.14637/1956
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/5158/4872
dc.rightsCopyright (c) 2016 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 61, No. 2, December 2016; 59-70en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectideology, nationalism, identity, musical style, Romanian composersen-US
dc.titleCREATING THE ROMANIAN NATIONAL MUSICAL STYLE – A PROBLEM OF MUSICAL OR NATIONAL IDENTITY?en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

Files

Original bundle

Now showing 1 - 1 of 1
Thumbnail Image
Name:
4872.pdf
Size:
191.74 KB
Format:
Adobe Portable Document Format
Description:
PDF imported from OJS (https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/download/5158/4872)
Download

Collections

Studia Universitatis Babeș-Bolyai Musica