“ADIEUX À BACH”

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dc.coverageSTUDIA UBB MUSICA, Volume 68 (LXVIII), Special Issue 2, August 2023, pp. 275-287en-US
dc.creatorAKSZA GROSZ, Sára
dc.date2023-08-15
dc.date.accessioned2026-02-21T20:17:17Z
dc.descriptionThe Capriccio sopra la lontananza del fratello dilettissimo, BWV 992 was written not only in youth and in search of compositional identity, but also in a period when several meanings and musical genres overlapped under the term of capriccio. Moreover, among specialists, there is still no full agreement on the date and dedicatee of Bach’s work. Who departures and from whom? Is he a family member or a friend? Due to the extra-musical program of the movements’ subtitles, besides the formal and rhetorical analysis psychology-related concepts might help to highlight these questions. However, by farewell sometimes new perspectives open, and other possible influences and models become clear either, within family for a father’s son (Carl Philipp Emanuel Bach) or outside of it, in a composer generation distance (Ludwig van Beethoven).en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6323
dc.identifier10.24193/subbmusica.2023.spiss2.17
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2021
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/6323/6016
dc.rightsCopyright (c) 2023 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 68, Special Issue 2, August 2023; 275-287en-US
dc.source2065-9628
dc.source1844-4369
dc.source10.24193/subbmusica.2023.spiss2
dc.subjectJ. S. Bach, capriccio, programmatic keyboard musicen-US
dc.title“ADIEUX À BACH”en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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