ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU

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dc.coverageSTUDIA UBB MUSICA, Volume 57 (LVII), No. 1, June 2012, pp. 227-233en-US
dc.creatorMARCU, Şerban
dc.date2012-06-30
dc.date.accessioned2026-02-21T20:18:55Z
dc.descriptionThe present study is an analysis of the work entitled Fum (Smoke), for clarinet solo, written by the Romanian composer Doina Rotaru in 1996 and dedicated to the clarinetist Emil Vişenescu. The study enhances the author’s preference for ancient musical archetypes, such as the aulodic timbral archetype, the archetype of suspended time, the archetype of the ornament or that of the glissando. We also highlight the articulation of musical discourse in relation to symbolic structural principles: circular or spiral shapes, sacred numbers. The structural analysis also emphasizes the continuous variation process, starting from a generative motive which includes almost all elements of language the work is based on: Rubato rhythm, chromaticism, Enescu’s “x” cell, glissando and appoggiatura.en-US
dc.formatapplication/pdf
dc.identifierhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8873
dc.identifier.urihttps://hdl.handle.net/20.500.14637/2209
dc.languageeng
dc.publisherBabeș-Bolyai University / Cluj University Pressen-US
dc.relationhttps://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8873/8594
dc.rightsCopyright (c) 2012 Studia Universitatis Babeș-Bolyai Musicaen-US
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0en-US
dc.sourceStudia Universitatis Babes-Bolyai Musica; Volume 57, No. 1, June 2012; 227-233en-US
dc.source2065-9628
dc.source1844-4369
dc.subjectRotaruen-US
dc.subjectFumen-US
dc.subjectclarineten-US
dc.subjectsoloen-US
dc.subjectanalysisen-US
dc.subjectstructuralen-US
dc.subjectarchetypesen-US
dc.titleELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARUen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Articleen-US
dc.typetexten-US

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